水彩画・紅葉の木の描き方・Watercolor Landscape Demo-Shinning Trees – Auto Translated English Sub -村田收
水彩画・紅葉の木の描き方・Watercolor Landscape Demo-Shinning Trees – Auto Translated English Sub -村田收


HI, everyone Hello, this is Osamu Murata It has been about a week until the next my solo exhibition in Kobe. It One more time before drawing Let me advertise. The place is about 5 minutes on foot from Sannomiya. Very good gallery. Gallery’s name is Saga I will write down the address and other details in the explanation column, so please come by all means. It ’s really the first time for me to have a solo show in Kobe I have been painting lots of Kobe area, but I don’t have many funs there. Unlike Tokyo and Okayama, which is always done, in Kobe there may be very few customers. I’m a little anxious. I’d love to see you. Please say ” I saw your video on Youtube” at the gallery. I’m waiting for you to come and say, I’m looking forward to seeing you You can go to the gallery home page from this qr code Now today’s painting. Hiruzen Highland area in Okayama Prefecture I just went to the autumn leaves to take photos the autumn leaves. Packing paintings for a solo exhibition Almost done and Today Completed the new painting! It was just a big picture, so it actually took about 4 days to complete. I will edit the video and upload it immediately. This is the reference photo First of all, I will explain my brushes. Usually the brushes are lined up on the right side of the palette. It’s easy, but with the black brush on the left side. There are 5 or 4 brushes, but that is a calligraphy brush Then, with a silver cover, it becomes a brush for watercolors After that, it ’s usually a small brush. I ’ll usually have this side by side. I’m drawing I’m melting the paint that has been set by spraying. This is an introduction to paint. I bought it with a normal Windsor & Newton tube. I really want about 3 times bigger the size, but it’s hard to get my hands. We add and add and use Well, the color name is French ultramarine Cobalt Blue Cerulean Blue Permanent Green Olive green Winsor yellow Winsor orange
Raw sienna
Burnt sienna Permanent Rose
Winsor red Winsor yellow
Winsor orange
Raw sienna
Burnt sienna Yellow ochre I don’t use this much Permanent Magenta Cobalt Turquoise Neutral Tint It is … is not it I rarely use it, but instead of black, I use this when I want black anyway that’s all Yes, then I would like to go to the drawing After drawing a tree with a pencil It is a musket ink Tube type, stick type? with this I masked it for a while, but it wasn’t so good on the way. It is the masking ink that I usually use. I masked with this Raw sienna Melt Raw Sienna with water Undercoat, the color of light. I’m drawing. It ’s the true first color that we ’re painting over. Where the sky is Because there is, it is painted with cobalt blue. Rather than painting better, with a big brush In the form of writing a point The paper is Arches Then while looking at the photos By gradually putting the color Now it ’s an orange. then Winsor red Or Permanent Rose or red ones with the previous color Before it dries again I’m painting or scattering. I’m painting a little here, Is it yellow again? Yellow is also scattered. In the case of a sticky tree, if you do like this The shape of the leaf The shape of the leaf It ’s an atmosphere. It ’s still a primer, so now it ’s a color. I can see I think it will become thinner, so it will be repeated one after another. This area has always started in the same way, but If you say it ’s the same way to do it, Not at all First of all, apply the primer easily When I’m doing it, there are many patterns where colors are randomly placed like this Well, it ’s not always that way. I think you’ll understand if you watch past videos, but sometimes you paint better. Make dark purple I’m painting wood This is also the first time I’m painting it over and over again It ’s like a rough. I’d like to talk a little about the interview. It ’s the same as the timing of the solo exhibition and the autumn leaves There are many things that I can’t go to cover autumn leaves, but I’ll do my best this year Solo exhibition, just before I went there The autumn leaves are really colored Beautiful because it I think that there are many people who think that they want to draw, but By all means I hope it will be enjoyed and written in autumn leaves. In this Material If This is actually an area like a campsite, like a public campsite Well, what I’m showing here is masking ink This is a rubber plate At this timing, apply the masking ink applied earlier. I will strip it off If you do so, white dots will appear like this. Well that’s about masking ink I don’t like to use, so I don’t really want to use it Is n’t it? It ’s better to strip around here I thought it would be good because the white place is not too conspicuous, so I stripped it off After that slowly based on the material photo I’m slowly writing branches Well, I’m going back to the story of the interview again, It takes more time than drawing. I have been to Canada in foreign countries. And at that time alone About 2 weeks I went around Vancouver, Canada, and then When I lived in the Nasu Plateau I went to Hokkaido by car and went around Hokkaido all the time I usually stay overnight in the car. Because it is overnight in the car I bought a camper on the way. I bought a used one Even if it ’s small, it ’s pretty big enough to stand and walk. So I was reporting in various ways The purple color will be the main as always I’m drawing. To make it a little darker, I wrote a mix of Burnt Sienna. Then this I’m using the brown brush I’m using right now It ’s called Sword Liner. It ’s not an exploration, or a sword. Sword Seward It ’s a liner. Brush to draw a line Become this is I bought it from Amazon in the US and used it for the first time this time. I thought it was something, but it’s very easy to use. Such thin lines are easy to come out. Still on youtube The person who has improved the way of drawing a watercolor painting was used. Because they do n’t sell in Japan I bought it in amazon USA It was a set of 3 It ’s pretty good, but I usually use it If it ’s so different from a thin brush, There is also a reason I’m not used to it yet I feel like I don’t need to buy a new one. Now I’m painting a big surface with a little thick brush Overall brightness Arrange If you do everything with a thin brush, It ’s like a flickering, uncomfortable picture. I sometimes use it with a thick brush. Blur along the flow of light I’m making from upper left to lower right Since the light is coming up, the upper left is lifted high and the paint is flowing. While tilting Playing Permanent Rose When it dries, it does n’t leave as much color It ’s also a small detail. I’m painting it over and over again In some places, apply water and wipe with tissue paper to draw light. This shadow is very important, right? I drew water on the brush once more and drew a bright place. Do you say I’m drawing? I’m wiping off the paint and putting out the white areas I’ll add a little to avoid that misunderstanding, but Or use a calligraphy brush. Look earlier The brush you gave me It does n’t mean that it ’s the best. I’m just using it now, so I think it ’s not necessary to stick to it. Use a brush that is easy to get in. I think it ’s more important to get used to it. There is no problem with just a normal watercolor brush. When writing branches, I think it might be useful to have a little thin brush. It ’s not so natural for the leaves, so it ’s unnatural. I draw a little leaf shape The screen is a little bit because the picture is big It takes time It took 4 days this time Since it is edited like this, it may be a little difficult to understand. In some places I’m scattering White Gouache right now Hit the brush and the brush I’m trying to scatter it This is greening now I’ll always do this with my finger, but a little Large When you have a dot, use your finger Put a lot of Gouache on your brush and do it with your finger And if you want to blur a little, spray water later Tilt a little now White Gouache Controls the direction of bleeding It ’s kind of blurring I wonder if the thinner one should flow upward I’m lifting the bottom now After that, this is a lift out with a water brush. I’m stripping the paint. Take the paint and the line of light I’m just drawing a little bit, so be careful not to draw too much, because it will become very deliberate. I think it’s better to make the front a little darker than the photo. I put Ultramarine once again I’m drawing a little away from this photo To raise the quality of the picture and to bring out my personality This area is almost away from the material picture, and then the area around this horizon It seems a little deliberate Is the brightness too bright? I want to make that tree shine in because it is too bright, so the light around the tree A little bright place on this ground to get out It’s dark It’s bright in the picture, but Since then, the area around the tree is darkened as well. The yellow light of the tree It I make it stand out At this stage, you can completely complete your original work. Since I am in the making mode, I am away from the photo It ’s almost like this If you think that it is okay and take a moment to look at it again, then it will be complete. Thank you very much for seeing so far. See you next time. So be happy with watercolors.

11 thoughts on “水彩画・紅葉の木の描き方・Watercolor Landscape Demo-Shinning Trees – Auto Translated English Sub -村田收”

  1. Angayasse says:

    You style is stunningly unique!

  2. 奥藤雅子 says:

    資料写真からは想像できない可愛らしい色合いですね!
    最期にホワイトガッシュがいいです。
    いつものように村田ワールドに迷い込みました。

  3. Ginger Buchanan says:

    Brilliant! All the best wishes for your show…it will be such a beautiful room. I am too far to come see.

  4. Giovanna Angela Caddia says:

    Maestro quando dipinge la natura si vede la sua bellissima anima piena di colori gioiosi, grazie!

  5. 573Alla says:

    Very beautiful!

  6. ANN FORLBY says:

    MY DAUGHTER USED TO LIVE IN THE KOBE AREA AND SHE TOOK BEAUTIFUL PHOTOS THERE……..JAPAN HAS VERY NICE LANDSCAPES… THANKS FOR ALL OF YOUR VIDEOS…. YOUR ARTWORK IS STUNNING……:)

  7. ANN FORLBY says:

    THIS IS SUCH A BEAUTIFUL PAINTING OSAMU……..YES…SWORDBRUSHES ARE GORGEOUS TO WORK WITH IT. THANKS FOR SHOWING YOUR WAY HOW TO PAINT SUCH AN AWESOME PAINTING….:)

  8. nori ko says:

    しなやかに拡がる木々の枝先で鮮やかな秋紅が躍り、地面に伸びる木々の涼しげな影と合まって、ひんやりとした秋の気配が感じられます。下地から徐々にその場の空気を描き起こされていく様は本当に素晴らしいです。自分も頑張ろうとのやる気をいつもいただいています。感謝!

  9. Mミッキー says:

    資料は、参考程度で後は村田さんの感性で筆が動いている🖌感じですね。自分の世界が出来上がれば描きやすいでしょう。素敵な紅葉🍁です。

    素人には、自分の世界も何もないのですが大体誰の絵か解るようになります。私の絵もすぐ分かると言われます。自分では分かりませんね。大きさはF10くらいですか?

  10. Hagru Draw says:

    Osamu Murataさんの動画に出会えて幸せです!ありがとう御座います。私も絵を描くのが大好きです。

  11. ana maria tello says:

    Maravilloso

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